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・ Raise High
・ Raise It Up
・ Raise It Up (August Rush song)
・ Raise My Kids
・ Raise the Alarm
・ Raise the Alarm (album)
・ Raise the Alarm (song)
・ Raise the Bar
・ Raise the Curtain
・ Raise the Dead
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・ Raise the Pressure
・ Raise the Red Lantern
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・ Raise the Roof (card game)
Raise the Roof (composition)
・ Raise the Roof (game show)
・ Raise the Roof (Luke song)
・ Raise the Roof (producer)
・ Raise the Titanic (film)
・ Raise the Titanic!
・ Raise Up
・ Raise Up (Saliva song)
・ Raise Up the Tent
・ Raise Your Fist
・ Raise Your Fist and Yell
・ Raise Your Fist in the Air
・ Raise Your Glass
・ Raise Your Hand
・ Raise Your Hands


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Raise the Roof (composition) : ウィキペディア英語版
Raise the Roof (composition)
''Raise the Roof'' is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones.〔Daugherty, Michael (2003). (''Raise the Roof'' for timpani and orchestra: Program Note by the Composer ). Retrieved May 14, 2015.〕 Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007.〔Daugherty, Michael (2007). (''Raise the Roof'' for timpani and symphonic band: Program Note by the Composer ). Retrieved May 14, 2015.〕 ''Raise the Roof'' is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
==Composition==
''Raise the Roof'' has a duration of approximately twelve minutes and is composed in a single movement. The piece has influences of rock and roll and latin rhythms, and utilizes significant portions of extended technique in the solo part, including the use of foot pedals for melodic tuning, playing with an upside-down cymbal on the drumhead, and striking the drums with maraca sticks, wire brushes, and even the player's bare hands.〔 It also employs the use of a medieval plainsong, which is repeated and developed throughout the work.〔 Daugherty has cited architectural marvels as an inspiration for the composition, including the Notre-Dame Cathedral and the Empire State Building.〔〔

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